“White Widow occupies a zone midpoint between Kate Bush and Martha Bates Motels creating a semi-symphonic progressive melodic groove that enthralls, absorbs, saddens, uplifts, and caresses the ear and mind in a tale of deliquescing love.” — AcousticMusic.com
Carla Patullo, also known as White Widow, is a performer, composer, and visual media artist who creates both songs and score ranging from gritty electronic rock to full orchestral soundscapes. As a touring performer and musical director, White Widow has toured internationally on solo tours as well as serving as musical director for actress/ comedian Sandra Bernhard’s “I Love Being Me, Don’t You” tour and album. The tour included performances with Liza Minnelli, Rufus Wainwright, and Justin Vivian Bond.
Her vocals can be heard on the Microsoft video game Project Spark, and the PBS Show Craft in America, as well as the numerous songs she has written for television. She has had over 100 song placements on Emmy award winning shows, such as The Ellen DeGeneres Show, The Young & the Restless, Skins, as well as dance performances of Sia’s sidekick Maddie Ziegler on the TV show Dance Moms.
Her music is featured in the award winning film Spa Night, which premiered at Sundance in 2016. Her score to Cinderella, A Shadow Ballet has won numerous awards, including a Global Music Award and a Hollywood Music in Media Award nomination (Carter Burwell, Philip Glass, Diane Warren). She is Sundance 2018 Composer Fellow for the Sundance Music and Sound Design Lab. Visit www.CarlaPatullo.com to check out her recent film work.
As a visual media artist, WW started studying the work of animation pioneer Lotte Reiniger. She began to see a new light in Lotte's original silent films and was inspired to compose a ballet to Lotte's 1922 film Aschenputtel. The film Cinderella, A Shadow Ballet is a re-conceptualization of Aschenputtel. WW uses a hybrid of orchestral and electronic soundscapes to narrate us through this classic fairy tale film. Delving into psychological struggles, she uses shadow, light, and sound to represent Cinderella's psyche. As Cinderella confronts her repressed self to find her inner light, the film transforms Reiniger's original silhouettes into a modern and mysterious shadow ballet.
In 2017, WW began work on a animated documentary about Lotte with co-director and animator Elizabeth Beecherl called LOTTE THAT SILHOUETTE GIRL. In a vocal driven score, WW layers textures and various vocal effects to represent each puppet's personality and shadowy support of their heroine.
Check out WWW.CARLAPATULLO.COM for more on WW’s Film Scores.